Criterion Collection (17)

Gilda, ben je fatsoenlijk? RITA HAYWORTH (The Lady from Shanghai) gooit haar haar naar achteren en antwoordt sluw: Ik? in een van de grootste ster-entrees in de filmgeschiedenis. Gilda, geregisseerd door CHARLES VIDOR (Cover Girl), toont een zwoele Ha

BARBARA STANWYCK (Sorry, Wrong Number) zindert, HENRY FONDA (12 Angry Men) stuntelt, en PRESTON STURGES (The Palm Beach Story) draait op volle toeren in een van de beste screwballs aller tijden, een perfecte mix van komische pit en woon-waardige romantiek

With his rousingly entertaining directorial debut, SIDNEY POITIER (Guess Who's Coming to Dinner) helped rewrite the history of the western, bringing Black heroes to a genre in which they had always been sorely underrepresented. Combining boisterous buddy

CRITERION COLLECTION

A startling and courageous film, PETER DAVIS's landmark 1974 documentary Hearts and Minds unflinchingly confronted the United States' involvement in Vietnam at the height of the foment that surrounded it. Using a wealth of sources-from interviews to newsr

It’s death, Japanese style, in the rollicking and wistful first feature from maverick writer-director JUZO ITAMI (Tampopo). In the wake of her father’s sudden passing, a successful actor (Itami’s wife and frequent collaborator, NOBUKO MIYAMOTO) and her la

CRITERION COLLECTION

CRITERION COLLECTION

After the shocking suicide of their friend, a group of thirtysomethings reunite for his funeral and end up spending a weekend together, reminiscing about their shared pasts as children of the sixties and confronting the uncertainty of their lives as adult

The Red Shoes, the singular fantasia from Michael Powell and Emeric Pressburger, is cinema’s quintessential backstage drama, as well as one of the most glorious Technicolor feasts ever concocted for the screen. Moira Shearer is a rising star ballerina tor

Criterion Collection

CRITERION COLLECTION

The Red Shoes, the singular fantasia from Michael Powell and Emeric Pressburger, is cinema’s quintessential backstage drama, as well as one of the most glorious Technicolor feasts ever concocted for the screen. Moira Shearer is a rising star ballerina tor

Considered by many to be the finest British film ever made, The Life and Death of Colonel Blimp, by Michael Powell and Emeric Pressburger, is a stirring masterpiece like no other. Roger Livesey dynamically embodies outmoded English militarism as the indel

Glamour has never been more grotesque than in Female Trouble, which injects the Hollywood melodrama with anarchic decadence. Divine, director John Waters’ larger-than-life muse, engulfs the screen with charisma as Dawn Davenport, the living embodiment of

For his first studio picture, filth maestro John Waters took advantage of his biggest budget yet to allow his muse Divine to sink his teeth into a role unlike any he had played before: Baltimore housewife Francine Fishpaw, a heroine worthy of a Douglas Si

With this breakthrough film, Federico Fellini launched both himself and his wife and collaborator Giulietta Masina to international stardom, breaking with the neorealism of his early career in favor of a personal, poetic vision of life as a bittersweet ca